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Classical concerts featuring
Marianne Beate Kielland

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February 10, 2025
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Wolfgang Amadeus Mozart / Jordi Savall

Mon, Feb 10, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Le Concert des Nations, Manfredo Kraemer (Concertino), La Capella Nacional de Catalunya, Jordi Savall (Conductor), Luca Guglielmi (Assistant de direction), Lluís Vilamajó (Chorus Master), Giulia Bolcato (Soprano), Elionor Martinez (Soprano), Marianne Beate Kielland (Mezzo), David Fischer (Tenor), Matthias Winckhler (Bariton)
Jordi Savall performs Mozart’s Mass in C minor, a monument of sacred music which, while partly influenced by the works of Bach and Handel, possesses a supernatural beauty belonging solely to the Austrian composer.
March 28, 2025
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Jukka-Pekka Saraste Marianne Beate Kielland Oslo Filharmoniske Kor Gustav Mahler

Fri, Mar 28, 2025, 19:00
Jukka-Pekka Saraste (Honorary conductor), Marianne Beate Kielland (Mezzo-Soprano), Oslo Philharmonic Choir (women's choir), Boy's choir, Øystein Fevang (Choir conductor)
“A symphony is like a world - it must contain everything,” Gustav Mahler said to his colleague Jean Sibelius in 1907. None of Mahler’s symphonies is closer to this ideal than Symphony No. 3, which, with its six movements and a total duration of about a hundred minutes, is Mahler’s longest. In 1895, he expressed the same idea to Natalie Bauer-Lechner during the work with Symphony No. 3: “... for me, «symphony» means constructing a world with all the technical means at one’s disposal. The eternally new and changing content determines its own form.”Mahler changed a lot in the symphony up until its premiere in 1902—among other things, the movement titles, which he eventually removed completely. But the working titles have been a joy for posterity since they give an insight into Mahler’s sources of inspiration for the music. “Pan Awakes, Summer Marches In” was the name he gave the first movement. The working titles suggest ascent:What the Flowers in the Meadow Tell Me.What the Animals in the Forest Tell Me.What the Man Tells Me.What the Angels Tell Me.What Love Tells Me. The first movement lasts half an hour and is almost like a symphony in itself. The second and third movements are shorter and lighter in form. In the fourth movement the soloist sings lyrics from Nietzsche’s Also sprach Zarathustra. In the fight movement, the soloist is accompanied by a “choir of angels” (women’s choir and boy’s choir). The last movement is a slow Adagio where Mahler’s world is gathered in a peaceful ending.
April 12, 2025
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Cappella Amsterdam & Netherlands Chamber Orchestra: Bach's St John Passion

Sat, Apr 12, 2025, 20:15
Nederlands Kamerorkest, Cappella Amsterdam, Daniel Reuss (Conductor), Berit Norbakken (Soprano), Linard Vrielink (Tenor), Kieran Carrel (Evangelist), Peter Harvey (Christus), Jaka Mihelač (Bass), Marianne Beate Kielland (Mezzo-Soprano)
The Netherlands Philharmonic is one of the most versatile cultural organisations in The Netherlands. The orchestra organises a diverse concert program in The Royal Concertgebouw Amsterdam and is a welcome guest on foreign stages and festivals. The Netherlands Philharmonic brings classical music to life at the highest level and collaborates closely with international guest soloists and conductors. It takes great pleasure in welcoming and developing new musical talent. Lorenzo Viotti is the principal conductor of Dutch National Opera and the Netherlands Philharmonic.